![]() ![]() MIXED METER: can be found in pieces where the meter changes up frequently - like a measure of 4/4 followed by a measure of 3/4 then 5/4 …ĬOMPLEX METER: occurs when a grouping is uneven or odd within a measure. Here are some more advanced concepts for those of you with prior musical training! QUADRUPLE COMPOUND TIME: 12/8 *EVEN MORE METERS* These are each represented by a TIME SIGNATURE - which you won’t be tested on and don’t need to learn for the sake of this course - but for those of you who already know music, let’s review how they work … You can take any meter grouping and subdivide it by simple or compound to get completely different rhythmic feels. When listening to songs subdivided into simple meter, they sound even and “straight” songs in compound subdivision sound “swung”.ĭUPLE: beat is in groups of 2 (try counting along to a song 1-2 | 1-2 …) To complicate things even more, every beat can be SUBDIVIDED into two equal halves (simple) or three equal thirds (compound). 2-beat measures are in duple meter, 3-beat measures are in triple meter, and 4-beat measures are in quadruple meter. Measures can have any number of beats in them, but most commonly have 2, 3, or 4 beats. Musical phrases are broken down into segments that show rhythmic groupings known as MEASURES. How beats are grouped into small patterns within a larger song. ![]() In fact, you should do this for the purpose of this course :) METER You can download free metronome apps to your phone. Tempo is most easily determined by the use of a METRONOME, an analog or digital device that clocks the number of bpms by clicking/tapping at the same speed as the music. The speed of the beat (slow, medium, fast, etc.). *NOTE* When someone says “I love the beat of that song” … what they mean is that they love the rhythmic structure/pattern … but what they’re actually saying in musical terminology is that they love how fast or slow it goes … TEMPO Highlights include affecting renditions of "In Trutina" from Carl Orff's 'Carmina Burana' and the traditional spiritual "Amazing Grace." And, in what might be an effort to defy easy categorization, she changes direction on the closing track, and lets loose on Kate Bush's "Wuthering Heights." Given such eclectic song choices and Westenra's impressive voice, PURE is certain to bring plenty of attention to this talented young artist.The pulse of the music in terms of how fast or slow it flows by (the pulse you tap your foot to while listening to a song)Ħ0 bpm = 1 beat per second - a song at 60 bpm would be considered slowġ20 bpm = 2 beats per second - a song at 120 bpm would be twice as fast as 60, a medium speedĢ40 bpm = 4 beats per second - a song at 240 bpm would be considered very fast Westenra moves gracefully through a program made up primarily of Euro-pop ballads but also includes arrangements of well-known classical melodies, as well as a pair of Maori songs. The precocious soprano demonstrates the poise, versatility, and musical instincts of a seasoned pro. It's not simply the beauty of her voice that impresses, however, but how effectively she uses it. PURE might be the best description of her singing-crystal clear and devoid of mannerisms. And not many fledgling artists can boast of having the legendary George Martin contribute songs and arrangements to their album. On her debut, Hayley Westenra, a 16-year-old singing sensation from New Zealand, endures the inevitable comparisons to Charlotte Church, but it's the impression she's made that's placed her in such lofty company.
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